Harry Potter and the Half-Blood Prince (2009)

Synopsis

Harry Potter's sixth year at Hogwarts turns out to be quite the exciting year. First off is the arrival of a new teacher at Hogwarts, Horace Slughorn, who is a bit more useful to Harry than he realizes. Next, Harry obtains a Potions book which used to be belong to the very mysterious Half-Blood Prince. Harry finds that the Half-Blood Prince's ancient scribbles are written along the margins of almost every page, giving Harry advice on how to improve greatly on his Potions work, and also teaching him a few helpful (and dangerous) spells along the way.

Amidst this, Harry is starting private lessons with Professor Dumbledore, during which Harry learns the dark secrets of Voldemort's past, hoping that they could use these secrets to find a way to defeat him.


Harry's year gets even more stressful with the suspicious actions of Draco Malfoy, who has been sneaking around the school doing, so Harry assumes, Voldemort's bidding. Harry quickly becomes determined, and slightly obsessed, to find out exactly what Malfoy has been up to and putting and end to it.

Yet, during this time, Harry and his friends go through daily life, busy with school work, Quidditch, (in which Harry has been made captain of the team) and of course, romance. Ron has found a new girlfriend, Lavender Brown, a perky (if not obnoxious) Gryffindor student, and Hermione is not happy about it. Ron and Hermione's friendship takes a toll throughout the school year and Harry, as usual, is stuck in the middle. Harry, meanwhile, is facing a romantic dilemma of his own: he realizes he is falling for his best friend's sister, Ginny Weasley, who is unfortunately dating Harry's classmate, Dean Thomas. Harry's pining for Ginny and Ron's hilarious relationship with Lavender give this story a large dose of reality.

Throughout all the school drama, however, the obvious darkness of Voldemort's impending rise to power is always apparent. The incredible action-packed climax is sure to leave the audience stunned and, inevitably, prove that you shouldn't trust everybody who you think is good and also prove that not everyone can manage to survive.

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The House Bunny

Synopsis
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Shelley is living a carefree life until a rival gets her tossed out of the Playboy Mansion. With nowhere to go, fate delivers her to the sorority girls from Zeta Alpha Zeta. Unless they can sign a new pledge class, the seven socially clueless women will lose their house to the scheming girls of Phi Iota Mu. In order to accomplish their goal, they need Shelley to teach them the ways of makeup and men; at the same time, Shelley needs some of what the Zetas have -- a sense of individuality. The combination leads all the girls to learn how to stop pretending and start being themselves.

Hamlet 2 Wallpapers

Synopsis: “The hit, the very palpable hit” of the 2008 Sundance Film Festival, this irreverent comedy centers on one teacher’s overzealous quest to mount a high school musical. Steve Coogan (“Night at the Museum”) portrays Dana Marschz; the last name is pronounced…oh, any attempt is close enough,...
“The hit, the very palpable hit” of the 2008 Sundance Film Festival, this irreverent comedy centers on one teacher’s overzealous quest to mount a high school musical. Steve Coogan (“Night at the Museum”) portrays Dana Marschz; the last name is pronounced…oh, any attempt is close enough, really. Dana is a failed actor-turned-high-school drama teacher. Shortchanged in the talent department, Dana still harbors ambitions and passions. At work, that is; his personal life, with his dissatisfied wife Brie (Catherine Keener of “The 40-Year-Old Virgin”) and their boarder Gary (David Arquette of the “Scream” movies), leaves much to be desired. At Tucson, AZ’s West Mesa High School, Dana sees himself as an inspirational teacher. But his adaptations of popular films, as performed by his top students Rand and Epiphany (Skylar Astin and Phoebe Strole, both stars of Broadway’s “Spring Awakening”), are not resonating. When his latest – re-creating “Erin Brockovich” – is dismissed by the 9th grade drama critic and his department is targeted for closure, Dana must reach deep into himself for creativity. After much perspiration, he conceives a sequel to Shakespeare’s Hamlet – a musical-theater extravaganza that will disdain both political correctness and dramatic credibility. Rallying and rousing his class, Dana casts a wider net by recruiting transfer students like Ivonne (Melonie Diaz of “Be Kind Rewind”) for key roles. With rehearsals underway, objections from school officials and the community are soon raised, but Dana will not be denied his freedom of artistic expression. After all, “to thine own self be true.” Dana gets unexpected support from ACLU attorney Cricket Feldstein (Amy Poehler of “Saturday Night Live”) and his favorite actress, Elisabeth Shue (Academy Award nominee Elisabeth Shue as herself). Above all else, he fervently believes that his opus must be staged, and nothing can break his optimistic spirit

Step Brothers (2008)

Synopsis: While nearly all Will Ferrell's films are enjoyable on some level, they tend to fire on all cylinders when Adam McKay is involved. McKay co-wrote and directed ANCHORMAN: THE LEGEND OF RON BURGUNDY and TALLADEGA NIGHTS: THE BALLAD OF RICKY BOBBY, two of Ferrell's most popular and consummately...
While nearly all Will Ferrell's films are enjoyable on some level, they tend to fire on all cylinders when Adam McKay is involved. McKay co-wrote and directed ANCHORMAN: THE LEGEND OF RON BURGUNDY and TALLADEGA NIGHTS: THE BALLAD OF RICKY BOBBY, two of Ferrell's most popular and consummately hilarious films. McKay reteamed with not only Ferrell for STEP BROTHERS, but also Ferrell's co-star in TALLADEGA NIGHTS, John C. Reilly (who has steadily proven himself to be one of Hollywood's most versatile actors); and though STEP BROTHERS may be the most threadbare of the three movies on which the duo have collaborated, it's arguably their best. The plot is about as simple as they come: Brennan Huff (Ferrell) and Dale Doback (Reilly) are deadbeat man-children thrown together when the single parents with whom they live marry. The two initially despise one another, but become fast friends over a shared love of ninjas, COPS, porno mags, and the comforts of living in the fantasy world of a prolonged adolescence. What makes STEPBROTHERS so much fun, however, has nothing to do with story or script; rather, it's McKay's foresight to step back and let Ferrell and Reilly run wild. The duo kick and punch, fart and burp, laugh and cry, yet somehow elevate such banalities to a level of grotesque poetry, hitting upon what feels like an entirely new comedic language. When the pair act like children, they are not presenting themselves as immature adults, but are literally acting like children, meticulously duplicating everything from the fears and concerns to the speech patterns and awkward physicality of children. It sounds simple enough, but it requires a dexterity and sense of timing and delivery that is actually quite amazing. In the end, STEP BROTHERS is really nothing more than an absurd comedy; then again, isn't that what they called WAITING FOR GODOT?